AltWeeklies Wire
Branford Marsalis: King of Kingsnew
A revered jazz saxophonist's life with Leno, Sting, and a decade-old quartet.
Seattle Weekly |
Jonathan Cunningham |
03-23-2009 |
Profiles & Interviews
Approaching 90, T-Model Ford Keeps the Blues Goingnew
Blues guitarist T-Model Ford has incredible energy and vitality for a man of any generation.
Tucson Weekly |
Gene Armstrong |
03-19-2009 |
Profiles & Interviews
Israel's Monotonix Is Setting America on Fire -- Literallynew
"You hit my girlfriend in the head with a trash can, and as much as I love her, you were still the best fucking band I've seen in ages," one fan wrote on Monotonix's MySpace page. This says a lot about the rock 'n' roll of Monotonix.
Tucson Weekly |
Annie Holub |
03-19-2009 |
Profiles & Interviews
Deaf Guitarist Does Not Go Gentlynew
Since the age of 10, Steve DiCesare has slowly been losing his hearing. It is now almost completely gone, but the band plays on.
Boulder Weekly |
Dylan Otto Krider |
03-19-2009 |
Profiles & Interviews
Obits Serve a Death Notice to Indie-Rock Clichesnew
On the band's debut, I Blame You, myriad shades of punk, post-punk, new wave and even '80s pop begin to materialize from amidst the sheen of guitar reverb.
New York Press |
Saby Reyes-Kulkarni |
03-19-2009 |
Profiles & Interviews
Post-Hardcore Titans Thursday Headline the Taste of Chaos Tournew
With Common Existence, Rickly and company have reexamined the essential pieces of post-hardcore, spinning them into a web sticky with British shoegaze guitar textures and a humanities degree's worth of source subject matter.
New Times Broward-Palm Beach |
Arielle Castillo |
03-17-2009 |
Profiles & Interviews
The 'It' Factor of the Wong Boysnew
Hailing from the land of Lego and blue cheese, the Wong Boys are a pair of Danish music-scene vets who "talk punk and walk rave," as they put it, which essentially means they bang out obtuse, ass-kick electro-pop that's rank, dank, raunchy and stupid in an exceptionally clever manner.
Montreal Mirror |
Rupert Bottenberg |
03-13-2009 |
Profiles & Interviews
Tags: electronic music, The Wong Boys
Larkin Grimm Uses Music to Express Her Different Way of Seeing the Worldnew
Larkin Grimm is an amazingly talented singer, songwriter and multi-instrumentalist whose raw, dynamic and sometimes hallucinatory songs effectively communicate a perspective unlike anyone else's.
Tucson Weekly |
Gene Armstrong |
03-12-2009 |
Profiles & Interviews
Husband-and-Wife Duo Discover that Working from Home Can Greatly Increase Productivitynew
Having their own studio separate from their house, but still at home, allowed Viva Voce to live their lives without dealing with the gigantic wad of cables.
Tucson Weekly |
Annie Holub |
03-12-2009 |
Profiles & Interviews
Damaged Good$ Arrives Just in Time to Right the Ship of Dallas Hip-Hopnew
It's not exactly a secret that Dallas hip-hop is enjoying a serious high at the moment. But if there's an Achilles heel to this burgeoning superpower, it's in the fact that it lacks a serious self-awareness, a sense of humor about its absurdity.
Dallas Observer |
Pete Freedman |
03-09-2009 |
Profiles & Interviews
K’naan: The 'Dusty Foot' 'Troubadour'new
The 30-year-old artist is one of the most buzzed-about figures in hip-hop, based on the strength of his latest album, Troubadour. K'naan's sound is rooted in East African rhythms with lyrics so vibrant and piercing that it's as if Bob Marley and Che Guevara were ghostwriters on the project.
Seattle Weekly |
Jonathan Cunningham |
03-09-2009 |
Profiles & Interviews
The Leon Hendrix Experiencenew
Leon's become accustomed to getting the short end of the stick. A former drug addict and small-time crook, he was famously cut out of his father's will -- and in turn, his brother Jimi's estate -- before Al Hendrix's death in 2002.
Seattle Weekly |
Mike Seely |
03-09-2009 |
Profiles & Interviews
Jazz Guitarist Says His Musical Restlessness Keeps Things Interestingnew
It's not hyperbole to say that Charlie Hunter has had a hand in redefining the state of jazz. During a recent phone conversation from his home in New Jersey, the genial Hunter posed as many questions as he answered.
Tucson Weekly |
Gene Armstrong |
03-05-2009 |
Profiles & Interviews
How the Blind Eyes Evolved from Metalhead Kids and Orchestral Geeks to the City's Tightest Rock Trionew
As its snappy name implies, the Blind Eyes' Modernity is sleek and to-the-point, and full of the trio's shuffling rock tunes — which combine power-pop melodies, punk tenacity and mod-rock precision.
Riverfront Times |
Annie Zaleski |
03-05-2009 |
Profiles & Interviews
Mi Ami Weathers Touch & Go's (Mis)fortunenew
Mi Ami are a quintessential Touch & Go band, and as such are built low to the ground to weather bumps that destroy less hardy acts.
INDY Week |
Chris Parker |
03-05-2009 |
Profiles & Interviews
