AltWeeklies Wire

Max Ochs Still Works and Sings For Social Justicenew

By all rights, Max Ochs should be bitter. His college buddies, John Fahey and Robbie Basho, had more well-known and critically lauded musical careers. And the rare instance when Ochs does receive attention from the press, there's always an obligatory reference to his more famous cousin, Phil.
Baltimore City Paper  |  David Dunlap Jr.  |  12-09-2008  |  Profiles & Interviews

Minneapolis Hip-Hop Duo Atmosphere Goes For Studio Goldnew

Atmosphere's Slug and Ant look to a live-band approach for a breath of fresh air.
Baltimore City Paper  |  Tony Ware  |  10-14-2008  |  Profiles & Interviews

Which Otis Jackson Jr. Do You Like?new

Jackson has renamed himself as much as anyone in the Wu-Tang Clan, though Madlib is the moniker that subsumes all others--his umbrella pseudonym, if you will.
Baltimore City Paper  |  Michaelangelo Matos  |  10-07-2008  |  Profiles & Interviews

The Wanderers' World of Finger-Picked Acoustic Guitar Blues/Folk/Raga/Whatevernew

The rice-paper umbrella for this monolithic-on-its-face style of instrumental, mostly finger-picked guitar folk, at least since the first disc of the three-part Imaginational Anthem series came out in 2005, has been "American primitive."
Baltimore City Paper  |  Michael Byrne  |  10-07-2008  |  Profiles & Interviews

Baltimore Hip-Hop's Biggest Outcasts Find Their Niche As Mania Music Groupnew

"We're like a gang of misfits, people that nobody wanted," says Dwayne "Headphones" Lawson, 28, describing the group of musicians whom he brought together to form Mania Music Group.
Baltimore City Paper  |  Al Shipley  |  09-09-2008  |  Profiles & Interviews

Daedelus Revisits Rave's Everything-Goes Approach to Music Mixingnew

Messy isn't necessarily sloppy; it can still be calculated. The mess-as-aesthetic is something Daedelus does best.
Baltimore City Paper  |  Michael Byrne  |  09-09-2008  |  Profiles & Interviews

Detroit Transplant Patrick Brander Tries to Spread Techno in House-Loving Baltimorenew

If techno is a minority player in Baltimore, as it is in many American cities (by European standards), at least some of that has to do with the landscape. Heavily molded by rock club culture and a painful 2 a.m. last call, Baltimore is not well equipped to give a techno party the hours needed to dig in for longer than a taste.
Baltimore City Paper  |  Michael Byrne  |  09-02-2008  |  Profiles & Interviews

The Sublime Vacuum Rock of the Vivian Girls and the Crystal Stiltsnew

Crystal Stilts and Vivian Girls are two of the most exciting and, yes, wholly original bands around today. Both take feel-good pop sounds from the '60s and '80s and fuck with them, turning them on their head.
Baltimore City Paper  |  Mike McGonigal  |  08-19-2008  |  Profiles & Interviews

On Waiting For Ariel Pink's Warped Pop Songs to Catch Up to The Now Adult Artistnew

Between 2004 and '06, the imprint promoted the bejesus Pink's work then the full-court media press stopped dead. Information about his activities became much harder to come by, and recordings--now tougher to track down--began flowing through no-name labels.
Baltimore City Paper  |  Raymond Cummings  |  08-05-2008  |  Profiles & Interviews

Legendary Avant-Garde Musician and Philosopher Henry Flynt Performs Again After 25 Yearsnew

Before he called it quits in 1984, he recorded long drone pieces and shorter country jams, collaborated with Tony Conrad, Pandit Pran Nath, and Yoko Ono, and even replaced John Cale in the Velvet Underground for two weeks in 1966. He also pursued mathematics at Harvard and New York University and economics at the New School.
Baltimore City Paper  |  Marc Masters  |  06-24-2008  |  Profiles & Interviews

Ponytail Taps Into Something Deeper and More Adaptable Than Moon/Junenew

Molly Siegel's vocals are almost certainly the strangest and most refreshing in indie music since Xiu Xiu's Jamie Stewart taught his throat to cry. It's like listening to a child learn its first word in accelerated form, only it's a twentysomething art-school graduate backed by an epic, even more clamorous version of Deerhoof.
Baltimore City Paper  |  Michael Byrne  |  06-03-2008  |  Profiles & Interviews

Thrushes Let The World's DJs Feel Their Heartbeatsnew

Last spring, the introspective indie-pop outfit rose out the internet ether when "Hearbeats," the lead single off their then just-released debut album, became the No. 1 downloaded song for the week of March 30. In light of this success, the band offered a remix contest, intending to release its favorite version.
Baltimore City Paper  |  Raven Baker  |  04-08-2008  |  Profiles & Interviews

Dusting off Dusty Springfieldnew

From Lesley Gore to Amy Winehouse, female singers wanting to open the throttle on romantic need and desire have inevitably borrowed more than a little from Springfield -- especially if they were white women who loved black R&B.
Baltimore City Paper  |  Geoffrey Himes  |  04-01-2008  |  Profiles & Interviews

Baltimore in Songnew

Music -- a song, a beat, a refrain, a certain riff, a band -- can recall a place without having to spell it out in the title.
Baltimore City Paper  |  Bret McCabe  |  03-18-2008  |  Profiles & Interviews

Regrets? They've Had a Fewnew

They've survived booze, breakdowns, and bedlam but the Pogues are still standing.
Baltimore City Paper  |  Neil Ferguson  |  03-18-2008  |  Profiles & Interviews

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