AltWeeklies Wire

Soul Survivor in Martha Marcy May Marlenenew

Elizabeth Olsen's performance throughout is somber and self-assured, a promising debut encouraged perhaps by her own efforts to escape the suffocating shadow—and cult of personality—of her older siblings.
INDY Week  |  Neil Morris  |  11-17-2011  |  Reviews

The end of the world in Take Shelternew

Take Shelter is a valiant, worthy effort, but the film doesn't go far enough -- and doesn't succeed in escaping its influences.
INDY Week  |  David Fellerath  |  11-07-2011  |  Reviews

Conspiracy Theater in Anonymousnew

Anonymous is a hoot for literate moviegoers, a treat for theater geeks, a rag on backstage egotists, and an alternate version of the Elizabethan Age. But I seriously doubt that it is history.
INDY Week  |  Laura Boyes  |  11-02-2011  |  Reviews

A Surprisingly Good Puss in Bootsnew

"Wait a minute, I'm being entertained by a movie about a damn talking, sword-fighting cat!"
INDY Week  |  Craig D. Lindsey  |  10-27-2011  |  Reviews

The Story of a Painting in The Mill and the Crossnew

Lech Majewski's film revels in the earthy details of 16th-century Flemish life even as it employs up-to-the-minute CGI techniques to bring this wonderfully complex painting by Pieter Bruegel to life.
INDY Week  |  David Fellerath  |  10-27-2011  |  Reviews

Telling the Wall Street Side in Margin Callnew

Anybody who goes into Margin Call hoping to see investment bankers raked over the coals will be disappointed.
INDY Week  |  Craig D. Lindsey  |  10-27-2011  |  Reviews

Footloose remake gives us something old and something newnew

Director Craig Brewer (Hustle & Flow, Black Snake Moan) places his affinity for Southern settings front and center by transplanting the original film's Utah setting to a burg in Georgia.
INDY Week  |  Neil Morris  |  10-14-2011  |  Reviews

Mozart's Sister acknowledges complexity even as it invents factsnew

Filmmaker Rene Feret doesn't massage what we know about how Nannerl's talents were allowed to wither, purely on account of her gender, in order to create a comforting narrative.
INDY Week  |  David Fellerath  |  10-12-2011  |  Reviews

George Clooney's New Election Thriller, The Ides of Marchnew

Three years into the Obama presidency, Clooney makes a movie about a Democratic candidate whose high-minded oratory belies someone who, when pressed, surrenders his ideals for the sake of political expedience and self-preservation.
INDY Week  |  Neil Morris  |  10-06-2011  |  Reviews

Fighting robots and Spielberg's daddy issues in Real Steelnew

After a while, the fighting scenes feel like a reward you get every 10 minutes for sitting through the movie's incessantly sappiness.
INDY Week  |  Craig D. Lindsey  |  10-06-2011  |  Reviews

Young lovers and Rip City in Gus Van Sant's Restlessnew

This is a love story that doesn't put too much in its lovers' way, even though it does put a time limit on it.
INDY Week  |  Nathan Gelgud  |  10-06-2011  |  Reviews

The Watchful Eyes of Intelligent Young Girls in Higher Ground and The Hedgehognew

In two films hitting art houses this weekend, the watchful eyes of intelligent young girls become an effective lens into the mystifying, sad and sometimes violent ways of adults.
INDY Week  |  David Fellerath  |  09-29-2011  |  Reviews

Moneyball Explores New Strategies for Successnew

The new film Moneyball may be about an old pastime, baseball, but it's reminiscent of a film about a more contemporary activity.
INDY Week  |  Neil Morris  |  09-29-2011  |  Reviews

Male Heartbreak in Nasty, Nihilistic Bellflowernew

If you're a not a man who just got screwed over by a woman you thought you loved, and you now spend your days in a stifling rage, muttering "That bitch!" every time you think of, well, that bitch, then there is really no reason for you to go see Bellflower.
INDY Week  |  Staff  |  09-28-2011  |  Reviews

The Future Charts Modern Anxietynew

The Future follows Sophie and Jason (July and Hamish Linklater, both of them sincere and focused), a couple in their mid-30s emerging from an agonizingly believable extended adolescence.
INDY Week  |  Nathan Gelgud  |  09-14-2011  |  Reviews

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