AltWeeklies Wire

Criminal Teaches Con Film New Tricksnew

Grifter films have become so common that audiences quickly spot their tricks. We know they'll try to con us. Argentina's con-man drama Nine Queens, and the new American remake Criminal, both realize that we're no longer easy marks.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-09-2004  |  Reviews

Lawn Chair Larry a Flimsy Excuse for a Feature Film.new

In 1982, Los Angeleno Larry Walters earned notoriety by attaching 42 weather balloons to a lawn chair and taking off on a near-fatal flight at 16,000 feet. Jeff Balsmeyer's new Australian comedy takes the episode, transplants it Down Under and recasts "Lawn Chair Larry" as Danny Deckchair in a flimsy excuse for a feature film.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-02-2004  |  Reviews

Bang Rajan Rumbles in the Junglenew

In 1765, when Burma's massive army invaded Siam (now called Thailand), a remote village named Bang Rajan held the attackers at bay for five months. The name "Bang Rajan" strikes patriotic chords in Thailand today, explaining why, despite characters as flat as shadow puppets, Tanit Jitnukul's film become the most successful Thai film in the country's history.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-02-2004  |  Reviews

First-Time Director Gets Stuck in a Genre Whirlpoolnew

Mean Creek feels like a supremely milquetoast film made not out of passion, but out of some assurance that a tight screenplay with all the characters' motives and artsy cinematography stacked domino-neatly in a row guarantees success. But as any game player knows, orderly dominoes are made to tumble.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-02-2004  |  Reviews

Vibrant Hero Reconsiders Revenge Filmsnew

An Oscar nominee for Best Foreign Language Film in 2003, Hero plays less like a conventional action film than a grand master's chess game, and it unfolds with a cold yet dreamlike beauty.
Creative Loafing (Atlanta)  |  Curt Holman  |  08-26-2004  |  Reviews

Recalling Music, Protest of Woodstock Eranew

Bob Smeaton's documentary of Canada's 1970 Festival Express concert tour captures the era's peace-and-love ideals unified by rock 'n' roll, as well as the more militant, violent impulses of the protest movement. Watching Festival Express is like seeing the performances of Woodstock 1969 alongside the riots of Woodstock 1999.
Creative Loafing (Atlanta)  |  Curt Holman  |  08-26-2004  |  Reviews

Director's Cut Resurrects Cult Filmnew

Hoping to capitalize on the film's growing cult following, Kelly's story of teenager Donnie Darko (Jake Gyllenhaal), who has apocalyptic visions of the future, is being re-released theatrically. Kelly's Donnie Darko: The Director's Cut features additional '80s pop tunes and 20 more minutes of footage meant to clarify some of the story's loose ends.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  08-26-2004  |  Reviews

Spike Lee Blows His Credibilitynew

When Spike Lee was filming She Hate Me, a friend should have taken the filmmaker aside and told him he would better serve everyone's time -- that of his cast and crew, his audience, himself -- by turning the feature into a soft-core adult film.
Creative Loafing (Atlanta)  |  Curt Holman  |  08-19-2004  |  Reviews

Postmodern Infidelity Brewsnew

We Don't Live Here Anymore often feels like Reality Bites-brand slackers playacting at tweedy adulthood, trying to convey how, in the post-college, post-kids landscape, real ennui -- and real disappointment -- set in.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  08-19-2004  |  Reviews

Chinese Melodrama Derailsnew

As Anna Karenina taught us, doomed love affairs and trains definitely don't mix. The Chinese film Zhou Yu's Train certainly subscribes to that deadly equation in this Instant Romance (just add tears) about a woman, a man ... and a locomotive.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  08-13-2004  |  Reviews

A Siren Confesses Her Secrets in Talky Thrillernew

In an effort to maximize the intrigue, director Patrice Leconte uses some Bernard Herman-style music to suggest a build to thriller payoff, though that build is largely a ruse. The film's first half, with its promise of deep mysteries to be cracked wide open, never materializes in its less satisfying second half.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  08-13-2004  |  Reviews

Three Willful Women Cope in a Post-Stalin Worldnew

Since Otar Left, a French production set in the former Russian republic of Georgia, treats the other side of emigrant life: those people -- often old, often female -- left behind, who wait for letters, money and a keyhole glimpse into life on the other side.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  08-13-2004  |  Reviews

Garden State Finds Humor in Homecomingnew

Why Andrew Largeman has shut down his emotions, and how he switches them back on again, provides Garden State with its loose plot. Director Zach Braff's film shows that we can't escape our formative influences.
Creative Loafing (Atlanta)  |  Curt Holman  |  08-13-2004  |  Reviews

Home Makes It Hard Not to Be Movednew

First-time director Michael Mayer's flawed, at times superficial, but nevertheless affecting adaptation of Michael Cunningham's novel explores anew the profound effect relationships -- either nurturing or truncated -- can have on his characters.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  08-05-2004  |  Reviews

A Fable about Public Fear and Homeland Securitynew

The director knows exactly how to prey on our innate fears of spooky forests and unseen bogeymen, but shows too much confidence in his directing and screenwriting abilities.
Creative Loafing (Atlanta)  |  Curt Holman  |  08-05-2004  |  Reviews

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