AltWeeklies Wire

Mother Monster: Freaky Doesn’t Necessarily Mean Frightening

Guillermo del Toro — the director of such minor masterpieces as “The Devil’s Backbone” and “Pan’s Labyrinth” — weakens his sphere of influence by producing a sorely underdeveloped horror movie that manufactures scares from the crudest of tropes.
City Pulse  |  Cole Smithey  |  01-15-2013  |  Reviews

Oh the Agony They Don’t Call it “Les Mis” for Nothing

Audiences new to Boubil & Schoenberg’s stage musical — based on Victor Hugo’s novel of historical fiction — may be surprised to discover the wooly narrative isn’t as compelling as they imagined it might be.
City Pulse  |  Cole Smithey  |  12-13-2012  |  Reviews

Collateral Damage: Kathryn Bigelow Tows the Party Line, Mostly

Kathryn Bigelow’s cinematic version of the U.S. military’s absurdly protracted ten-year hunt for Osama bin Laden is not what you would expect.
City Pulse  |  Cole Smithey  |  12-13-2012  |  Reviews

Apatow’s Complaint: Midlife Crisis is a Bundle of Laughs

Three years is too long to go without a Judd Apatow comedy. That’s how long it’s been since the comic genius of American cinema gave us his last written-and-directed movie (“Funny People”).
City Pulse  |  Cole Smithey  |  12-13-2012  |  Reviews

Limits of Respect: Massaging FDR Pays Modest Dividends

If only we could see Bill Murray’s FDR hanging out with Daniel Day Lewis’s Lincoln, then there might be…well, another mediocre life-slice movie about dead presidents.
City Pulse  |  Cole Smithey  |  12-03-2012  |  Reviews

Bankers’ Penalty Andrew Dominik’s One-Movie Revolution Comes Calling

One of the ten best films of 2012, Andrew Dominik’s cold-blooded satire of American corporate-political-capitalism cuts through its subject like a freshly sharpened guillotine blade.
City Pulse  |  Cole Smithey  |  11-26-2012  |  Reviews

Resizing Tolstoy: Tom Stoppard’s Visible Magic Shines

Resizing Tolstoy Tom Stoppard’s Visible Magic Shines
City Pulse  |  Cole Smithey  |  11-12-2012  |  Reviews

Stripped Down Bond No Competition With Craig’s 007 Around

The 23rd installment in the longest-running franchise in cinema history is crafted to satisfy fans from every era of the series based on the Ian Fleming novels. Sam Mendes tastefully directs this outing of action-based espionage, gently shifting gears between a literary approach to wit, style, personality, and spectacle.
City Pulse  |  Cole Smithey  |  11-05-2012  |  Reviews

Spielberg Doesn’t Trouble the Water: Daniel Day Lewis Flawless as Always

See the film for Daniel Day Lewis. As for the “history lesson” on display, take it with a grain of salt.
City Pulse  |  Cole Smithey  |  11-04-2012  |  Reviews

Goth Penn: Sean Penn Goes Out On a Limb

“This Must Be the Place” is a canny model of life-affirming cinema.
City Pulse  |  Cole Smithey  |  10-29-2012  |  Reviews

Down In Flames: Robert Zemeckis Burns the Popcorn

Enjoyable in that Hollywood-popcorn way for which Robert Zemeckis is famous— see “Who Framed Roger Rabbit,” skip “Forest Gump” — “Flight” is a drama that would have been better without the director's love of schmaltz.
City Pulse  |  Cole Smithey  |  10-29-2012  |  Reviews

Connection Lost The Wachowski Siblings and Tom Tykwer Play the Wrong Loops

“Cloud Atlas” wants to be more than it is. For a movie pitched as a Meta-Meta exploration linking all of humanity through the ancient past to the recent past to the faraway future, it nosedives before getting out of the gate.
City Pulse  |  Cole Smithey  |  10-22-2012  |  Reviews

Getting Busy: Mark O’Brien’s Introduction to Sex Opens Doors

The most unlikely film of 2012, “The Sessions” is a defiant romantic comedy of serious import that pushes the boundaries of R-rated intimacy.
City Pulse  |  Cole Smithey  |  10-15-2012  |  Reviews

Back In Time: Sci-fi Thriller Can’t Solve its Own Loopholes

As time-travel suspense thrillers go “Looper” is only a pinch better than mediocre.
City Pulse  |  Cole Smithey  |  09-24-2012  |  Reviews

Girl Power: Anna Kendrick and Rebel Wilson Save A Cappella Comedy

Essentially a glorified episode of the television show “Glee,” “Pitch Perfect” is a spotty coming-of-age comedy that only marginally pays off on its promise of delivering harmonized vocal virtuosity.
City Pulse  |  Cole Smithey  |  09-24-2012  |  Reviews

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