AltWeeklies Wire

'The Diving Bell and the Butterfly' is Eye-Catchingnew

Schnabel achieves greatness through the incredible accomplishments of a man left with one eye.
New York Press  |  Armond White  |  11-29-2007  |  Reviews

'Mist'-ified Horrornew

Goofy Stephen King adaptation can't balance shock with schlock.
New York Press  |  Eric Kohn  |  11-21-2007  |  Reviews

'I'm Not There' Is Not About Dylan, It's About Haynesnew

Altogether, Todd Haynes' film is a presumptuous act of reverse hubris. No one should expect to be entertained by the story it doesn’t tell or the blind alleys it revisits.
New York Press  |  Armond White  |  11-21-2007  |  Reviews

'Margot at the Wedding' is Imitation-Salingernew

Noah Bambauch makes it easy to dislike his films; problem is, he also makes it easy for New York's media elite to praise them. His deliberate ugliness makes him the Lars Von Trier of Brooklyn and the Hamptons.
New York Press  |  Armond White  |  11-15-2007  |  Reviews

Reverend Billy Gets the Doc Treatmentnew

Rob VanAlkemade alternates between deconstructing the conceits behind Reverend Billy's wild-eyed demeanor and exploring the Church's message in a linear fashion. As a result, the movie offers both intriguing portraiture and probing cultural analysis.
New York Press  |  Eric Kohn  |  11-15-2007  |  Reviews

'Mr. Magorium's' Lacks the Stuff to Wow at Any Agenew

Uninspired despite its various attempts to find inspiration, Magorium is itself like a toy: Shiny, mystifying and completely expendable.
New York Press  |  Eric Kohn  |  11-15-2007  |  Reviews

'Redacted' is the Low Point of a Great Artist's Careernew

The media's rush to validate a weak De Palma film continues last year's insanity that overpraised the TV-style docudrama United 93, misconstrued Oliver Stone's great elegy World Trade Center and overrated the outdated 1969 French import Army of Shadows.
New York Press  |  Armond White  |  11-15-2007  |  Reviews

'No Country' is a Crime Movie for a World at Warnew

The way the Coen brothers' latest morphs from noir into contemporary-western moral struggle makes it deeper, funnier and even stranger than Fargo.
New York Press  |  Armond White  |  11-08-2007  |  Reviews

'Steal a Pencil for Me': Holocaust Loversnew

Gentle documentary tells a sweetly engaging story amid larger turmoil.
New York Press  |  Eric Kohn  |  11-08-2007  |  Reviews

'Lions for Lambs': Six Characters in Search of Authoritynew

In the best directing of his career, Robert Redford explores national disunity with plenty of star power for backup.
New York Press  |  Armond White  |  11-08-2007  |  Reviews

'The Kite Runner' Makes Aghanistan's Politics Provocativenew

Khaled Hosseini's The Kite Runner gets the Marc Forster touch in its film adaptation.
New York Press  |  Armond White  |  11-01-2007  |  Reviews

Docs on Costume Wearers Highlight Universal Discomfortnew

Distinct patterns of psychological fragility emerge in Confessions of a Superhero and Darkon.
New York Press  |  Eric Kohn  |  11-01-2007  |  Reviews

'Things We Lost In The Fire': Beauty and the Beastnew

Benicio del Toro outshines Halle Berry in a flawed family film.
New York Press  |  Armond White  |  10-25-2007  |  Reviews

Simon Pegg Falls into the Wrong Material in 'Fat Boy'new

In Run, Fat Boy, Run, playing an out-of-shape security guard who runs a marathon to prove his worthiness to an ex-girlfriend, the great actor just seems pathetic.
New York Press  |  Eric Kohn  |  10-25-2007  |  Reviews

'Man From Plains': Journeys With Jimmynew

This new doc follows former President Carter in his habitat.
New York Press  |  Armond White  |  10-25-2007  |  Reviews

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