AltWeeklies Wire

Harmony Korine's Waynew

The director on flying nuns and his Mexican Michael Jackson.
L.A. Weekly  |  Joshuah Bearman  |  05-09-2008  |  Profiles & Interviews

'Jellyfish''s Etgar Keret: The Wizard of Idnew

Writer/director shoots from the hip about his low-budget movie and his high-budget life.
L.A. Weekly  |  Ella Taylor  |  04-28-2008  |  Profiles & Interviews

Olivier Assayas on Getting Carried Awaynew

For Boarding Gate, Assayas chose Hong Kong as Sandra's final destination, as a way of shooting in -- and paying homage to -- the city that has influenced his own filmmaking.
L.A. Weekly  |  Scott Foundas  |  03-21-2008  |  Profiles & Interviews

Michael Haneke Will Be Your Mirrornew

Don't blame him if you don't like what you see.
L.A. Weekly  |  Scott Foundas  |  03-14-2008  |  Profiles & Interviews

Stanton Kaye: Father of Reinventionnew

Could tracking technology save the Hollywood dreams of a former golden boy?
L.A. Weekly  |  Steven Mikulan  |  03-11-2008  |  Profiles & Interviews

Stefan Ruzowitzky Challenges Holocaust Dogmanew

Rather than the nobly suffering merchants, artists and family men who fill the barracks of many a Holocaust drama, the counterfeiters of The Counterfeiters are a motley crew of scam artists and petty thugs under the supervision of the wily Russian-Jewish forger Salomon "Sally" Sorowitsch.
L.A. Weekly  |  Scott Foundas  |  02-29-2008  |  Profiles & Interviews

Blood, Sweat and Tearsnew

There Will be Blood director Paul Thomas Anderson on making his masterpiece, and how baseball may have saved him.
L.A. Weekly  |  Scott Foundas  |  01-18-2008  |  Profiles & Interviews

Daniel Day-Lewis: The Way He Lives Nownew

As his fourth film in a decade arrives in theaters, the movies' most enigmatic leading man reveals the method behind his onscreen madness.
L.A. Weekly  |  Judith Lewis  |  12-21-2007  |  Profiles & Interviews

Clint Eastwood: The Set Whisperernew

Shooting quietly on the Changeling set.
L.A. Weekly  |  Scott Foundas  |  12-21-2007  |  Profiles & Interviews

Juan Antonio Bayona: Refinding Neverlandnew

A conversation with The Orphanage's master of melancholic terror.
L.A. Weekly  |  Ella Taylor  |  12-21-2007  |  Profiles & Interviews

James Marsden: Low Profile and Loving Itnew

"I'm more comfortable with the bar set low," he says with a flash of his milky-white smile. "If expectations are low, you can only impress people."
L.A. Weekly  |  Scott Foundas  |  12-04-2007  |  Profiles & Interviews

Tamara Jenkins Keeps It Realnew

Coming almost 10 years after Slums of Beverly Hills, her new movie, The Savages, mines a difficult time in Jenkins' early 30s, when she saw both her grandmother and her father succumb to senility.
L.A. Weekly  |  Ella Taylor  |  12-04-2007  |  Profiles & Interviews

'Redacted' Never Flinches From the Casualties of Warnew

Brian De Palma is angry, about the war in Iraq and about the fact that his Iraq movie, Redacted, has fallen victim to the very censorship it is, in part, a reaction against.
L.A. Weekly  |  Scott Foundas  |  11-16-2007  |  Profiles & Interviews

Michael Haneke Over Americanew

Some great directors begin in TV, like Austrian Michael Haneke. Eight of his TV films have been subtitled into English and are touring North America for the first time as part of the Boston University – curated retrospective "Michael Haneke: A Cinema of Provocation."
L.A. Weekly  |  Scott Foundas  |  11-09-2007  |  Profiles & Interviews

Lee Chang-Dong Lets the Sunshine Innew

South Korean filmmaker illuminates life's emotional twists and turns.
L.A. Weekly  |  Scott Foundas  |  11-02-2007  |  Profiles & Interviews

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