AltWeeklies Wire

Justin Robinson & the Mary Annettes' Bones for Tindernew

Robinson's gothic, chamber-hop formula works tremendously on Bones for Tinder, the first full-length following last year's EP Precious Blood, and proves he can move freely without his more famous band. (Five Head Entertainment)
INDY Week  |  Spencer Griffith  |  02-01-2012  |  Reviews

Rapsody's Return of the B-Girlnew

B-Girl continues Rapsody's ascension toward the level of even her most prominent collaborators, male and female.
INDY Week  |  Spencer Griffith  |  01-14-2011  |  Reviews

Valient Thorr's Strangernew

Valient Thorr still finds its distinction by directing its menace at deserving targets via social commentaries charged by precision and power.
INDY Week  |  Spencer Griffith  |  09-02-2010  |  Reviews

The Urban Sophisticates Stretch Their Boundaries on 'Classic Material'new

Though the move toward more traditional production bridges the Sophisticates back across the gap toward mainstream hip-hop, there's still plenty of variety on Classic Material.
INDY Week  |  Spencer Griffith  |  10-02-2008  |  Reviews

The High and Mighties Might as Well Call Their Reggae 'Retread'new

Like every other group currently commercializing a pop reduction of reggae, Chapel Hill band The High and Mighties cites Bob Marley as its forefather.
INDY Week  |  Spencer Griffith  |  09-25-2008  |  Reviews

A Second Look at Ben Folds Five's 'Reinhold Messner'new

At the time of its release, Reinhold Messner -- 11 largely interconnected songs stretched over 40 minutes -- was panned by many critics.
INDY Week  |  Spencer Griffith  |  09-18-2008  |  Reviews

Annuals Make Major-Label Debut on Split EP with Sunfoldnew

Where Annuals takes cues from the kitchen-sink, simmer-and-swell indie crowd, Sunfold refocuses '90s alternative rock with the familiar tools: "Between the Worlds" has the guitar harmonies Rivers Cuomo has been searching for since Pinkerton.
INDY Week  |  Spencer Griffith  |  05-22-2008  |  Reviews

Oso Optimo Understands the Weight of its Influencesnew

The Raleigh trio spends much of this debut working through its earliest identity crisis, vacillating between crunchy power-pop and gritty alt-rock.
INDY Week  |  Spencer Griffith  |  03-27-2008  |  Reviews

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