AltWeeklies Wire

The Music According to Lafayette Gilchristnew

The Bolton Hill resident did things to those funk and hip-hop beats that had never been heard on MTV.
Baltimore City Paper  |  Jess Harvell  |  07-31-2007  |  Profiles & Interviews

Ultra Nate is Queen of the Housenew

Her dance music fills clubs the world over -- everywhere except where she calls home.
Baltimore City Paper  |  Jess Harvell  |  07-03-2007  |  Profiles & Interviews

Red Rocket of Lovenew

The Dirty Marmaduke Flute Squad is for the children.
Baltimore City Paper  |  Jess Harvell  |  04-17-2007  |  Profiles & Interviews

The Sound and the Furrynew

A tiger suit, found dress, ukulele, beatboxing, and transfixing simplicity -- meet the Santa Dads.
Baltimore City Paper  |  Jess Harvell  |  04-10-2007  |  Profiles & Interviews

Stream of Consciousnessnew

Looking for the hip-hop you won't see on TV? Try The Breakdown.
Baltimore City Paper  |  Jess Harvell  |  07-19-2006  |  Profiles & Interviews

Bond Ambitionnew

Sonic density and experimental sensibilities tie TV On The Radio to black rock futurists.
Baltimore City Paper  |  Jess Harvell  |  07-12-2006  |  Profiles & Interviews

Raw Nervenew

The Baltimore femcee looks to build on her undgerground buzz.
Baltimore City Paper  |  Jess Harvell  |  05-03-2006  |  Profiles & Interviews

Respect the Cocknew

Welcome to the world of Jason Forrest, where Donna Summer meets Foreigner at 300 beats per minute.
Baltimore City Paper  |  Jess Harvell  |  04-06-2006  |  Profiles & Interviews

We're Still Herenew

Juvenile and Lil Wayne deliver the first hip-hop records from post-Katrina New Orleans.
Baltimore City Paper  |  Jess Harvell  |  03-08-2006  |  Profiles & Interviews

The New Edgynew

Kudu makes pop songs for goth ex-ravers.
Baltimore City Paper  |  Jess Harvell  |  02-24-2006  |  Profiles & Interviews

Lost in Musicnew

Ariel Pink hears the hit parade through very odd ears.
Baltimore City Paper  |  Jess Harvell  |  02-01-2006  |  Profiles & Interviews

Tectonic Shiftsnew

Dylan Carlson is positively wanking, though his dynamics suggest caveman repetition more than Guitar Center tech. At its best, Sword is hypnotic and crude like prime Crazy Horse. (OK, maybe not as good as all that.)
Baltimore City Paper  |  Jess Harvell  |  11-16-2005  |  Profiles & Interviews

Out of the Woodsnew

Animal Collective beats a path from Batimore County to indie fame
Baltimore City Paper  |  Jess Harvell  |  10-20-2005  |  Profiles & Interviews

Street Strifenew

Conscious reggae catches fire again, in part thanks to Damian "Jr. Gong" Marley's "Welcome to Jamrock"
Baltimore City Paper  |  Jess Harvell  |  09-28-2005  |  Profiles & Interviews

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