AltWeeklies Wire

Film Loses Something in Translation from Stage to Screennew

Ideas treated so passionately in David Auburn's play -- like the thin line separating madness and genius, for instance -- are hardly given the focus they deserve in John Madden's truncated Proof.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-22-2005  |  Reviews

Three Segments Imagine Different Outcomes for Filmnew

November was shot on digital video, and with its eerie technological sputters and fishbowl moodiness of glum blue-green light, it manages to achieve Seven-like atmosphere on a surprisingly low budget.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-15-2005  |  Reviews

Losing Their Waynew

The filmmakers' lack of self-consciousness in depicting Kumbh Mela, a spiritual journey that attracts millions, through a tourists' filter speaks volumes to their naiveté and distance from the event they so clearly long to honor.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-15-2005  |  Reviews

Arab-Western Relations Play Out in the Bedroomnew

For all her film's self-awareness and moments of soft-core romantic ecstasy, Director Sally Potter is also profoundly insightful about the various tensions that define our lives, which her two mismatched lovers so beautifully illustrate.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-08-2005  |  Reviews

Film Offers Image of Pleasantly Different Youth Rebellionnew

Despite its tendency to lapse into preachiness, The Edukators is a bracing, much-needed vision of a world where ideas, equality and justice are paramount. And that alone makes it an entertainment worth paying for.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-08-2005  |  Reviews

FIlm Mines the Rich Vein Between Regional Differencesnew

By the end of Junebug, characters keep their folksy woodcarvings and their mutual dependency to themselves, refusing to go under the big-city microscope of an "outsider" art gallery owner.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-01-2005  |  Reviews

Film Plays a Two-Faced Gamenew

In the 11th hour, Pretty Persuasion tries to cop a relevant, downbeat, socially concerned attitude, but after the previous piggish rutting in kink, who exactly does Marcos Siega think he's fooling?
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-01-2005  |  Reviews

Director Loses His Way in New Filmnew

Terry Gilliam's The Brothers Grimm has more in common with the Germany that beget Jagermeister and Arnold Schwarzenegger than it does the Germany of black forests, wicked witches and runaway gingerbread men.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  08-25-2005  |  Reviews

Obsession and Entrapment Fuel Superb Filmnew

Scottish director David Mackenzie's morbid, erotic film has an economical, compressed style that covers a great deal of action and subtext in a tight space.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  08-18-2005  |  Reviews

Film Chronicles a Doomed Romance in Reversenew

A bitterly pragmatic argument for the complexity of relationships, 5x2 doesn't make any bones about the grim course it's on.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  08-18-2005  |  Reviews

Van Sant Goes Rambling Againnew

Last Days focuses not on the glamour and violent cataclysms of death-by-drug-addiction, but gives us the crushing banality and catatonic alienation of its Kurt Cobain-inspired hero, Blake.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  08-11-2005  |  Reviews

Times Change and So Does a Familynew

Sadness waits in the wings in almost every scene of the lovely, life-affirming Italian melodrama The Best of Youth.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  08-04-2005  |  Reviews

Can You Trade Thuggery for Life as a Concert Pianist?new

More than anything, what ruins The Beat That My Heart Skipped is the general flakiness of the story; a ballad of the sensitive guy trapped in a tough guy's world.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  07-28-2005  |  Reviews

DIsabled Athletes Do Battle in Gripping Documentarynew

Murderball, the winner of this year's Documentary Audience Award at Sundance, assures viewers that the disabled can be bellicose, obnoxious, confrontational and out for blood, especially when they're playing quadriplegic rugby.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  07-28-2005  |  Reviews

Film Chronicles Quiet Desperation and Cutenessnew

Me and You and Everyone We Know's most original feature is probably the way it subverts the lovelorn, hangdog heroes of films like Punch Drunk Love, Garden State and Sideways.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  07-22-2005  |  Reviews

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