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Hirokazu Kore-eda's latest movie is doubly unpredictable, not just in the way that its focus on survival--rather than the shuffling sound of death outside the door--marks a major about-face from his earlier films' pervasive probings of mortality and memory.
City Pages (Twin Cities) |
Chuck Stephens |
03-09-2005 |
Reviews
Tags: Hirokazu Kore-eda, Nobody Knows
