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'Methland' Tracks a Drug Through America's Cracks and Faultlinesnew

Meth is a drug with no celebrities, and Nick Reding treats his subjects with respect, despite close calls with former addicts who play disc golf with him one minute and threaten his life the next. But Methland's attempt to combine personal reflections on identity and place with an examination of the drug's role in a small town's economic struggles seems formally stale.
San Francisco Bay Guardian  |  Brandon Bussolini  |  08-19-2009  |  Nonfiction

Disco Popsters the Juan MacLean Are Only Human -- More or Lessnew

Although it has taken on a massive life outside of the new album, the teaser single "Happy House" shows what the Juan MacLean is capable of: namely, superb pop that uses dance music's production techniques and structures.
San Francisco Bay Guardian  |  Brandon Bussolini  |  06-03-2009  |  Profiles & Interviews

Four Tet Jumps Genres, But Its Meaningful Abstractions Stick Like Gluenew

Four Tet's music is sticky. The word works as a description of Kieran Hebden's gluey way of making precious, melodic samples adhere to languid hip-hop beats. It also conveys that Four Tet's sound not only bears down into your memory, it also becomes a medium for memories in its own right.
San Francisco Bay Guardian  |  Brandon Bussolini  |  03-18-2009  |  Profiles & Interviews

Thank You Rides Far-Out Waves of Ambiguitynew

Terrible Two's best quality is precisely that we don't know what to make of it. That's the point of the album and what makes the band a close fit with post-rock's steez.
San Francisco Bay Guardian  |  Brandon Bussolini  |  02-25-2009  |  Reviews

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