AltWeeklies Wire

Great Big Sea Finds Success the Old-Fashioned Way

In a business defined by fads and gimmicks, this Newfoundland band is a consistent favourite.
Monday Magazine  |  John Threlfall  |  07-22-2004  |  Profiles & Interviews

Despite Kookiness, Mark's New CD Delivers Great Tunes

The bastard love child of John Prine and Patsy Cline, Carolyn Mark returns with an album that, while occassionally frustrating, is one of the finest I’ve heard this year.
Monday Magazine  |  Robert Wiersema  |  07-22-2004  |  Reviews

Songs That Demand to Be Hummednew

A honeycomb tangle of bright, sticky hooks and tart counterpoint, this disc teems with ideas. Also reviewed is Petracovich's Blue Cotton Skin.
Illinois Times  |  René Spencer Saller  |  07-22-2004  |  Reviews

Write Place, Write Timenew

While his latest CD is an occasion to celebrate his musical persona once again, Dr. John should also be appreciated as one of New Orleans' great songwriters.
Gambit  |  John Swenson  |  07-21-2004  |  Profiles & Interviews

Rock by Numbers

To determine if there's any rhyme or reason to music writing on the Web, guitarist Loren Wilson analyzed the language used in record reviews on Pitchforkmedia.com.
Chicago Reader  |  J. Niimi  |  07-20-2004  |  Music

Shooting Blanksnew

Imagine the rock world’s version of The Real World (or, more appropriately, The Surreal Life). Take one estranged-and- palpably-frustrated backup band; add one charismatic (and often socially troubled) lead singer -- preferably one who hasn’t had a hit in a while; stir in a liberal dose of media hype; and, voila! Instant million-seller.
Metroland  |  John Brodeur  |  07-19-2004  |  Reviews

The More Things Change...new

The sound of !!! is goofily anarchic, a jumble of scabrous funk, brittle postpunk, and pockmarked disco, a clanging, clattering, sample-studded din that suddenly opens up to reveal disquieting spaces. Also reviewed is Eleni Mandelli's Afternoon.
Illinois Times  |  René Spencer Saller  |  07-15-2004  |  Reviews

Prince and the Evolutionnew

His name is Prince again, and he's still funky, but did he ever stop?
Gambit  |  Alex Rawls  |  07-12-2004  |  Profiles & Interviews

Haunted by High Expectations, Wilco Produces a Minor Ghostnew

Ghost is far from awful -- in fact, it's often painfully lovely -- and, if you can get past the occasional proggish pretense, the interminable stretches of pure noise, and some embarrassing lyrical missteps, you'll find much to admire.
Illinois Times  |  René Spencer Saller  |  07-08-2004  |  Reviews

Ambitious Singer/Songwriter Is a Critic's Dreamnew

Michigan-bred Sufjan Stevens is about as likely to appear on the side of populism as Britney Spears or Linkin Park are to land on a year-end list. But the hushed-voiced creator of folk-based arrangements is optimistic that a change may be coming.
Creative Loafing (Atlanta)  |  Nikhil Swaminathan  |  07-08-2004  |  Profiles & Interviews

Drum and Drummer: Dave Lombardo Rejoins Slayer for Ozzfestnew

Slayer are no strangers to Ozzfest, but this is the first year they’re bringing along original drummer Dave Lombardo.
Boston Phoenix  |  Sean Richardson  |  07-08-2004  |  Music

Defenders of the Faithnew

The music Judas Priest made was easily marginalized, and at a remove of several decades, most of the material on their "Metalogy" boxed-set sounds ephemeral.
Boston Phoenix  |  Carly Carioli  |  07-08-2004  |  Reviews

Iron Mennew

Black Sabbath get boxed in time for Ozzfest.
Boston Phoenix  |  Matt Ashare  |  07-08-2004  |  Music

Remain the Same, or Reinventnew

Most artists survive by reinventing themselves. But rock star Patti Smith, like God and Edith Piaf, is eternal. Also reviewed is "Uh Huh Her" by PJ Harvey, who is in some ways Smith's heir and in others her opposite.
Illinois Times  |  René Spencer Saller  |  07-02-2004  |  Reviews

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