AltWeeklies Wire

Here and Nownew

Shot in jittery black-and-white 16mm, this French film’s on-the-fly aesthetic captures the shiftlessness of bourgeois youth and some of the spirit of the French New Wave.
Austin Chronicle  |  Marrit Ingman  |  09-23-2005  |  Reviews

Comedy as Funeral Dirgenew

Less a movie than a longform, live-action Celebrity Death Match between its leads, this wheezing comedy may herald the death knell of the interracial buddy-cop farce.
Austin Chronicle  |  Marrit Ingman  |  09-16-2005  |  Reviews

Save Yourselfnew

Earnest and well-intentioned Dallas-based cast and crew have created a puzzling and inauthentic youth drama that promotes teenage sexual abstinence.
Austin Chronicle  |  Marrit Ingman  |  09-09-2005  |  Reviews

Guess Who’s Coming to The OC With a Lethal Weapon 2?new

Nick Cannon from Drumline plays a smart-aleck LAPD bicycle cop in this movie awash in clichés.
Austin Chronicle  |  Marrit Ingman  |  09-01-2005  |  Reviews

The Rhythm Methodnew

Michael Winterbottom creates scenester porn in which he records the evolution of a man and a woman's relationship through sex and music -- exclusively.
Austin Chronicle  |  Marrit Ingman  |  09-01-2005  |  Reviews

The Personal and the Politicalnew

City of God director Fernando Meirelles makes his English-language debut with this bracing, heartbreaking conspiracy thriller set in AIDS-ravaged Kenya.
Austin Chronicle  |  Marrit Ingman  |  09-01-2005  |  Reviews

Horns & Halosnew

This Canadian import is a strange youth dramedy – too frank for young ones, but too conventional for an older market.
Austin Chronicle  |  Marrit Ingman  |  08-25-2005  |  Reviews

Discord and Ecstasynew

Filmmaker Werner Herzog discusses Grizzly Man.
Austin Chronicle  |  Marrit Ingman  |  08-18-2005  |  Profiles & Interviews

Strolling for Dollarsnew

This film is a singularly dreadful example of what can happen when potentially capable comedians check their brains at a committee meeting and go slumming for dollars.
Austin Chronicle  |  Marrit Ingman  |  08-18-2005  |  Reviews

It Ain't Heavy … It's Four Brothersnew

A scrappy Seventies throwback about vigilante justice in the corrupt urban jungle.
Austin Chronicle  |  Marrit Ingman  |  08-12-2005  |  Reviews

Backwoods Throwbacknew

The remake is about as deep as Jessica Simpson's cleavage.
Austin Chronicle  |  Marrit Ingman  |  08-04-2005  |  Reviews

No Signs of Lifenew

If you like Maxim, you'll love The Island -- it's glossy, expensive, full of slick ads and beautiful people reduced to posable action figures.
Austin Chronicle  |  Marrit Ingman  |  07-22-2005  |  Reviews

Lessons in Frigid Parentingnew

The documentary nature photography is so intimate, and the story of the penguins' mating is so carefully crafted into a sustained and satisfying narrative, that they become epic heroes: brave, if not fearless, and stalwart fools for love.
Austin Chronicle  |  Marrit Ingman  |  07-14-2005  |  Reviews

Young Malaise in Sharp Focusnew

Writer-director Bujalski in his micro-budget film shows a superb knack for capturing real moments (the stuff that happens in between all the big moments) and the residue of our half-fulfilled inclinations.
Austin Chronicle  |  Marrit Ingman  |  07-14-2005  |  Reviews

All Aboardnew

Hungarian writer-director Antal is like the conductor of a midnight express: Grab a rail and hold on while he whizzes through montages and extreme angles of impossibly precipitous escalators in the Budapest subway system.
Austin Chronicle  |  Marrit Ingman  |  07-07-2005  |  Reviews

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