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More by Saby Reyes-Kulkarni
Obits Serve a Death Notice to Indie-Rock Clichesnew
On the band's debut, I Blame You, myriad shades of punk, post-punk, new wave and even '80s pop begin to materialize from amidst the sheen of guitar reverb.
New York Press |
Saby Reyes-Kulkarni |
03-19-2009 |
Profiles & Interviews
Indie Rock Capo Damon Che on Don Caballero's Longevitynew
Though Don Cab is said to have pioneered the mathematical, clean-guitar-tone approach that became an indie hallmark in the wake of the band's groundbreaking early work on Touch and Go records, few of the band's peers pursued Che's muse in quite the same fashion.
New York Press |
Saby Reyes-Kulkarni |
12-04-2008 |
Profiles & Interviews
Meat Beat Manifesto's Exploding-head Revuenew
"I like the whole Pop Art aspect of finding things which were already available and famous, already used," says Jack Dangers, leader and founder of electronic outfit Meat Beat Manifesto, about his group's approach to its tour visuals.
New York Press |
Saby Reyes-Kulkarni |
04-24-2008 |
Profiles & Interviews
More by New York Press
The Runaways’ Cherie Currie Gave Up Rock ‘n’ Roll to Swing Around a Chainsawnew
Cherie Currie was just a Bowie-obsessed 15-year-old smoking a cigarette at the Sugar Shack, an under-21 club in North Hollywood, when she was spotted by producer Kim Fowley. A Svengali, visionary and predator, he was cruising the underage clubs.
New York Press |
Sheila McClear |
03-18-2010 |
Music
Shellshag, the Duo You Just Can’t Knock Downnew
Shellshag is Johnny Shell and Jen Shag. He sings and plays guitar and she sings and plays drums. For years they lived in San Francisco and ran Starcleaners, a record label and public arts space. They were in bands together and apart, but all that matters now is that they are Shellshag.
New York Press |
Adam Wisnieski |
02-04-2010 |
Profiles & Interviews
Kim Deal Talks About the Pixies' 'Doolittle' Anniversary Tournew
"I like albums and I’m kind of a geek anyway, so starting something from the beginning and then doing every song in order is appealing to me."
New York Press |
Adam Rathe |
11-19-2009 |
Profiles & Interviews
Brooklyn's Grooms Have a New Album and a Distinctive Take on Today's Soundnew
The band doesn't quite fit in with the current, decidedly '60s and '70s signifiers of indie rock cool. "Sometimes people will listen to our music and say, 'It’s kind of '90s, and it reminds me of Pavement,' and I really don't think it does. We sometimes worry that we're out of step with the trend."
New York Press |
Adam Rathe |
10-15-2009 |
Profiles & Interviews
A Night Inside NYC's Amateur Music Scenenew
For the most part, the acts playing every night at venues like The Red Lion, Pianos and Arlene's Grocery aren't doing this just for fun. But does this bar scene offer a step up the ladder, or is it just a way for the management to make money?
New York Press |
James Mulcahy |
09-24-2009 |
Music
