Pretentious Ending Ruins 'The Mist'
The Memphis Flyer |
November 30, 2007
The Memphis Flyer
The Memphis Flyer was founded on February 16, 1989, by Contemporary Media, Inc., publisher of Memphis magazine. With more than 222,000 regular readers, the Memphis Flyer is an urban newsweekly with a blend of hard news and features, and columns...
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The Latest 'Bad Lieutenant' Isn't Good or Bad. It Just Isnew
Bad Lieutenant: Port of Call New Orleans (why the "Port of Call" part? Who knows! Who cares!) is a conventional detective thriller in basic form, but the procedural elements are sometimes listless.
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Robert De Niro Settles Down in a Travelogue Family Dramanew
Everybody's Fine is sort of like a square version of the more lauded recent Jack Nicholson vehicle About Schmidt, and its squareness is the main reason I prefer it.
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One reason the Oblivians' two Memphis reunion shows feel more impressive than most is that it doesn't feel like musicians trying desperately to reclaim former glory. It was more like conquering heroes returning home: they return to a scene they've helped make bigger.
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Documentary Finds and Explores the Defiant Spirit of Female Artistsnew
The documentary film Who Does She Think She Is?, directed by Pamela Tanner Boll and Nancy Kennedy, follows five women as they balance the many facets of their lives and, although not without struggles, manage to do so quite successfully.
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The Safety of Objects: The Art of 'Summer Hours'new
Some undisclosed time after a celebratory birthday party at her posh but weather-beaten French country home, lively and elegant matriarch Hélène (Edith Scob) dies, leaving her eldest son Frédéric (Charles Berling) to divide the loot with his two siblings.
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'Every Little Step' Is a Life-Affirming Look at Performancenew
Every Little Step, the absorbing documentary about the 2006 revival of the Broadway hit A Chorus Line — in other words, a movie about the casting of a musical that's about actors auditioning for a musical — is a rabbit hole well worth tumbling down.
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