Charleston City Paper
Founded in 1997, the locally owned and operated City Paper is Charleston's only weekly alternative newspaper and the second-largest publication in the metro Charleston area. Reaching a strong mix of active, affluent locals and tourists, the City Paper has thrived...
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Contact for Reprint Rights
- Market Served: Metropolitan Area
- Address: 1316 Rutledge Ave, Charleston, SC 29403
- Phone: (843) 577-5304
More by Amy Stockwell Mercer
Artist Depicts Assassination of Obama in Controversial New Shownew
In his new show State of Shock, British-born artist Fletcher Crossman presents a series of controversial paintings depicting the assassination of President Obama.
Charleston City Paper |
Amy Stockwell Mercer |
05-13-2010 |
Art
Tags: Fletcher Crossman, State of Shock
More by Charleston City Paper
Confessions of a loyal Southern Charm fannew
I love Southern Charm. There, I said it. Reality television shows have the tendency to be either really good or really bad, with the majority falling into the latter category.
Charleston City Paper |
Dwayne Green |
04-30-2014 |
TV
Summer movie preview of the good, the bad, and the hopefulnew
Here's a look at the next four months of your movie life.
Charleston City Paper |
Dan Hudak |
04-30-2014 |
Movies
The Grand Budapest Hotel may not be Wes Anderson at his deepestnew
As fascinating — and maddening — as it can be watching the arguments that emerge between the fans and detractors of any given filmmaker, it can be almost more fascinating watching fans argue amongst themselves.
Charleston City Paper |
Scott Renshaw |
03-19-2014 |
Reviews
The best of Sundance 2014 didn't take their subjects too seriouslynew
For 11 days in Utah's mountains in January, not a flake of precipitation fell on the 2014 Sundance Film Festival. And the cheery blue skies could not possibly have been a better match for the mood of the festival's best films.
Charleston City Paper |
Scott Renshaw |
01-29-2014 |
Movies
Twelve Years a Slave tells the story of one man's abduction into slaverynew
Uncomfortable as it may be, McQueen skips the history lesson and achieves a visceral experience that will surely be known as the definitive moral rendering of an era that should only be recalled with remorse and shame.
Charleston City Paper |
Tom Meek |
11-07-2013 |
Reviews
