The Fall's new album sounds as dynamic and engaging as anything they've done in the last 30-odd years.
A suicidal stunt man and a little girl with a broken arm? This could get messy. Compulsive, self-indulgent fabulist--both the protagonist and the film have a lot going for them.
A story told by a paralyzed stuntman to an injured girl makes for one of the most inventive films in recent memory.
Tarsem's latest lacks substance but it sure does look pretty
Tarsem clearly chose to make The Fall as an excuse to splash more beautiful images across the screen. And splash he does, from the gorgeous black-and-white of the pre-credit sequence to the desert landscapes of Roy's story.