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More by Mark Peikert
‘The Emperor Jones’ Proves That Imaginative Direction Has Fled Broadway For Offnew
Rarely do plays that utilize puppets and masks succeed as admirably as does The Emperor Jones. Director Ciarán O’Reilly deserves all the critical accolades coming to him for resurrecting Eugene O’Neill’s play about despots in power, bringing it to crackling life once again.
New York Press |
Mark Peikert |
01-07-2010 |
Theater
‘This’ is Really Itnew
There’s something potent about Melissa James Gibson’s haunting new play This at Playwrights Horizons, something that draws you into the story even as you find yourself intermittently annoyed by the prospect of more floundering yuppies coming to terms with their mortality.
New York Press |
Mark Peikert |
12-10-2009 |
Theater
New Documentary 'Art & Copy' Celebrates the Men Behind Ads by Skimming the Surfacenew
Advertising has long been perceived as a mirror reflecting reality back to consumers as a wish-fulfillment exercise. In that sense, Art & Copy is a worthy addition to a time-honored tradition.
New York Press |
Mark Peikert |
08-20-2009 |
Reviews
More by New York Press
Page One: Inside the New York Timesnew
Andrew Rossi's documentary Page One buffs the Grey Lady's image.
New York Press |
Armond White |
06-17-2011 |
Movies
Discourteous Discoursenew
The social networking approach to film criticism is not about democracy.
New York Press |
Armond White |
10-01-2010 |
Movies
Tags: Armond White, Rotten Tomatoes
Hero Worshipnew
A soldier’s tragic tale retold for maximum effect in 'The Tillman Story.'
New York Press |
Armond White |
08-19-2010 |
Reviews
Basking In Basquiatnew
'The Radiant Child' is a glowing tribute to the late artist.
New York Press |
Dale W. Eisinger |
07-22-2010 |
Reviews
Catherine Breillat Returns With Another Powerful Sexual Narrativenew
That drop of menstrual blood at the beginning of The Runaways recurs in Bluebeard, Catherine Breillat’s adaptation of the 17th-century Charles Perrault fairytale.
New York Press |
Armond White |
03-25-2010 |
Reviews
Tags: Bluebeard, Catherine Breillat
