Former Staffer Asks: Is There Still a Place for the Chicago Reader?

october 28, 2008  01:06 pm
Edward McClelland measures his former paper's hip quotient, using the fictional Reader music critic who appeared in the 2000 film High Fidelity as a yardstick. "Today, if you made a movie about Chicago hipsters, Caroline Fortis probably wouldn't write for the Reader," McClelland writes in Columbia Journalism Review. "She'd write for Time Out Chicago, or Pitchfork." Reader editor Alison True, Creative Loafing CEO Ben Eason, and former Reader staff writers Neal Pollack and Harold Henderson weigh in with their takes on the Reader's past and its future.