Eternal Return
Tucson Weekly |
August 24, 2006
Tucson Weekly
Founded in 1984, the Tucson Weekly has become an iconoclastic institution in this sprawling desert boom town with a population approaching 1 million. With its reputation for diverse, compelling journalism with an edge, the paper has built a readership of...
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Contact for Reprint Rights
- Market Served: Metropolitan Area
- Address: 3725 Mona Lisa Rd. Ste. 125, Tucson, AZ 85741
- Phone: (520) 797-4384
More by Curtis McCrary
Holy Rolling Empire: Noise Will Be Noisenew
The new EP by Tucson combo the Holy Rolling Empire, Noise Will Be Noise, is a strong effort in a growing body of work that consistently hits the sweet spot between hard-edged power pop and psychedelia.
Tucson Weekly |
Curtis McCrary |
06-09-2010 |
Reviews
Making More Lists: Our Critics Keep Naming the Best Music of 2009new
Our annual saga of music Top 10 lists kicked off recently, and now we present to you the thrilling conclusion of Our Favorite Albums of 2009. One of the albums named: Vic Chesnutt's At the Cut.
Tucson Weekly |
Jarret Keene, Curtis McCrary, Michael Petitti and Stephen Seigel |
12-31-2009 |
Reviews
Tags: Year in Review
Can't Stop Listening to 2008's Best Albumsnew
We start off 2009 with more lists of our favorite albums from 2008.
Tucson Weekly |
Jarret Keene, Curtis McCrary and Stephen Seigel |
01-02-2009 |
Music
Tags: Year in Review, Best Albums
More by Tucson Weekly
Hope is the Resolvenew
Indie rock quartet Signals tells a story about the challenges of faith on their new EP, Hindsight
Tucson Weekly |
Joshua Levine |
08-01-2014 |
Profiles & Interviews
Tags: Signals
Celebrating the Silencesnew
Thirty years after his breakthrough album, Steve Roach is still in the Sonoran Desert creating "resonant sonic spaces"
Tucson Weekly |
Jason P. Woodbury |
04-14-2014 |
Profiles & Interviews
Deafheaven: Vulnerable and Violentnew
Whether they're playing black metal, shoegaze or some collision of the two, Deafheaven are among the most acclaimed acts in music right now
Tucson Weekly |
Gene Armstrong |
03-27-2014 |
Profiles & Interviews
Marianne Dissard: The Cat. Not Menew
French-born Marianne Dissard left her longtime home of Tucson last year, but not before recording her third proper album, one that pairs ambitious musical leaps with greater emotional vulnerability. Variety has characterized Dissard's musical path, from 2008's L'Entredeux (written with and produced by Calexico's Joey Burns), which found Dissard channeling Americana through her French chanson tradition, to the bright and theatrical L'Abandon (2011) to two loose, off-the cuff recordings, made in Berlin and Paris with her small touring ensembles...
Tucson Weekly |
Eric Swedlund |
02-13-2014 |
Reviews
Southern Blendnew
Dent May's Mississippi-based, mixed-up pop songs.
Tucson Weekly |
Annie Holub |
01-16-2014 |
Music
