Electronic Duo Gatekeeper Looks to the Classic Slasher Film Soundtrack for Inspiration

Chicago Reader | October 19, 2009
All the flavors of synthesizer on Optimus Maximus evoke the heyday of the slasher flick in the late 70s and early 80s, when masked maniacs roamed shadowy streets, Ouija boards not only worked but inevitably summoned nameless evils, and vividly red fake blood was spilled by the gallon.

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