Carlos Reygadas' 'Silent Light' is More Posing for the Poseurs

New York Press | January 8, 2009
In Reygadas' facetious approach to his subject matter, he pushes Art buttons: lots of rewound clocks and that big Dreyeresque moment confronting death. It lacks the wit and feeling of Frank Borzage's Three Comrades where a thrown watch transcends time and death.

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