AltWeeklies Wire

Vincent Gallo Talks Buffalo, RRIICCEE and Experimentationnew

His experiences with the media, especially some of those in his hometown, still leave a bitter taste in his mouth, in case anyone was wondering. However, his message now is one of hope for Buffalo (and, yes, its media) and that we should learn we can be proud of our own.
Artvoice  |  Robyn Conniff  |  09-22-2008  |  Profiles & Interviews

Gallo's Polenew

Despite its formalistic failings and truly absurd Porn Moment, there's a morbidity here that feels quite genuine, and after the movie is over, it amounts to rough-hewn poetry.
Westword  |  Gregory Weinkauf  |  10-13-2004  |  Reviews

Bunny Lovenew

Vincent Gallo's notorious film turns out to be an anti-action road trip that has the feeling of a fever dream.
Austin Chronicle  |  Marc Savlov  |  10-01-2004  |  Reviews

A Giant Burrito of Sorrownew

Vincent Gallo’s drive across America proves to be a good-looking, albeit occasionally sucky experience
Tucson Weekly  |  James DiGiovanna  |  09-16-2004  |  Reviews

Gallo Uses Style as a Distraction From Lack of Originalitynew

All of the negative hype and reports of boos from audiences at the 2003 Cannes Film Festival prove to be legitimate responses to Vincent Gallo's masturbatory opus, The Brown Bunny.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-09-2004  |  Reviews

"Bow-Wow," Said the Bunnynew

I can forgive Gallo his histrionics, which are entertaining enough when they’re not downright vicious. What I can’t forgive is his boring me silly.
L.A. Weekly  |  Ella Taylor  |  09-02-2004  |  Reviews

Echoing Disasternew

Never at any time in The Brown Bunny does Vincent Gallo give the impression of being outside the world of the film: in The Brown Bunny, artist and world are one.
Boston Phoenix  |  Chris Fujiwara  |  09-02-2004  |  Reviews

An Interview with Vincent Gallonew

Vincent Gallo loves to talk, as followers of his career as musician, painter, actor, and director will have gathered.
Boston Phoenix  |  Chris Fujiwara  |  09-02-2004  |  Profiles & Interviews

Unmitigated Gallonew

Six angles on The Brown Bunny's vanishing points
San Francisco Bay Guardian  |  Edward E. Crouse, Susan Gerhard, Chuck Stephens, Cheryl Eddy, Johnny Ray Huston and M.P. Klier  |  09-01-2004  |  Reviews

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