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In these post-Thatcher times, the closest thing the British theater has to a welfare program is the Harry Potter movies.
Washington City Paper  |  Louis Bayard  |  11-18-2005  |  Reviews

Lift Your Glassnew

J.K. Rowling’s Harry Potter and the Goblet of Fire is the most camera-ready of the series. The trouble is, it’s also overstuffed and rambling.
Boston Phoenix  |  Joyce Millman  |  11-18-2005  |  Reviews

Potter Tots Grow Up Lotsnew

This fourth Potter film is qualitatively different from the first three: It doesn't linger on gothic curlicues, and it emphasizes the emotional development of its characters with dramatic interplay rather than expressionistic, atmospheric gloom.
Austin Chronicle  |  Marrit Ingman  |  11-17-2005  |  Reviews

Harry Potter Turns the Corner With Thrilling Filmnew

As a turning point in the series, the Goblet of Fire film needs to -- and does -- feel "bigger" than the previous installments. Author J.K. Rowling gives her now-14-year-old protagonists more grown-up concerns.
Creative Loafing (Atlanta)  |  Curt Holman  |  11-17-2005  |  Reviews

Fizzling Wizardrynew

The Harry Potter series takes a step backwards with Goblet of Fire.
Tucson Weekly  |  Bob Grimm  |  11-17-2005  |  Reviews

Hogwarts and Hormonesnew

The dancing lessons are as scary as the dragons for our pubescent wizards.
Seattle Weekly  |  Brian Miller  |  11-16-2005  |  Reviews

Spells Like Teen Spirit

The magic comes from the character growth in Harry Potter and the Goblet of Fire.
Salt Lake City Weekly  |  Scott Renshaw  |  11-15-2005  |  Reviews

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