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Vision and Focusnew

First-time screenwriter Joe Conway merges his narrative voice with filmmaker David Gordon Green's visual poetics – with a little help from Terrence Malick.
Austin Chronicle  |  Marjorie Baumgarten  |  11-12-2004  |  Profiles & Interviews

Caught in the Big Muddynew

Cross-pollinate the arthouse film with B-movie backwoods gothic, and you get something like Undertow’s peculiar fusion of high and low culture.
Austin Chronicle  |  Kimberley Jones  |  11-12-2004  |  Reviews

Green Archersnew

To call Undertow a '70s-style revenge movie is accurate, but those unfamiliar with the director's style may wonder why it takes so long to get to the action.
Cleveland Scene  |  Luke Y. Thompson  |  11-12-2004  |  Reviews

Undertow Evokes Fairy Tale, Myth and the Cain and Abel Storynew

Filmmaker David Gordon Green cultivates a mood of impending bloodshed, but by evoking Southern horror flicks and crime potboilers of the 1970s. Using natural light and shaky camera work, Undertow plays out like the bad dream you might have after watching a night of R-rated films.
Creative Loafing (Atlanta)  |  Curt Holman  |  11-04-2004  |  Reviews

Former Wilco Member Debuts First Solo Albumnew

The ash from Jay Bennett's cigarette is about to burn his fingers. Suddenly he feels the heat, snaps from his trance, crushes out the cigarette, and begins fiddling with knobs and faders. The song's finished, and he's pulling up another one.
Chicago Reader  |  Bob Mehr  |  08-07-2004  |  Profiles & Interviews

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