AltWeeklies Wire

Chain and the Gang Is Ian Svenonius' Latest Celebration of the Absurdnew

Chain and the Gang's introductory manifesto may be rooted in Napoleonic-era Spanish politics, but Ian Svenonius' comedic timing is spot-on.
Tucson Weekly  |  James Hudson  |  05-14-2009  |  Reviews

Depeche Mode Is Still Chainednew

Depeche Mode has made their most sonically inspired and creative effort since 1986's Black Celebration.
Tucson Weekly  |  James Hudson  |  04-23-2009  |  Reviews

The Perennial Outsider: 'Years of Refusal'new

Morrissey is back to form with this, by far his best album since 1994's Vauxhall and I.
Tucson Weekly  |  James Hudson  |  02-20-2009  |  Profiles & Interviews

Crooked Fingers' 'Forfeit/Fortune'new

Forfeit/Fortune is a musical scrapbook album of sorts, documenting Eric Bachmann's recent travels and new friends he's made over recent tours.
Tucson Weekly  |  James Hudson  |  02-05-2009  |  Reviews

The Killers Show a Lighter Side on 'Day & Age'new

Brandon Flowers' charm and talent carries The Killers' latest release to success.
Tucson Weekly  |  James Hudson  |  01-15-2009  |  Reviews

Scott Weiland's Latest Album is Only OKnew

As of this writing, Scott Weiland seems to be doing OK. Unfortunately, the same can sort of be said for his new album: It's only OK.
Tucson Weekly  |  James Hudson  |  01-15-2009  |  Reviews

Danger: 'f, monday' May Result in Cubicle Moshingnew

If Colourmusic's new album were a movie, it'd be a subversive Stanley Kubrick remake of the hippie musical Hair, staring Pink Floyd's Syd Barrett
Tucson Weekly  |  James Hudson  |  12-04-2008  |  Reviews

My Brightest Diamond Lives On the Musical Fringenew

Shara Worden's sophomore album is more reserved than her debut, but just as captivating, as Worden's otherworldly vocals can trigger emotions on par with the likes of Roy Orbison.
Tucson Weekly  |  James Hudson  |  11-28-2008  |  Reviews

The Cure's Latest Has its Ups ... and its Downsnew

With The Cure's 13th studio album in 30 years, Robert Smith and co. are back to form -- but unfortunately, Smith runs out of ideas halfway through filling out that form.
Tucson Weekly  |  James Hudson  |  11-14-2008  |  Reviews

Plastilina Mosh Brings More Genre-Mashing From Mexiconew

Plastilina return to form with their latest release, earning the duo a spot alongside Latin contemporaries The Pinker Tones and Mexican Institute of Sound.
Tucson Weekly  |  James Hudson  |  10-09-2008  |  Reviews

Coldplay: Wall Street's Favorite Bandnew

After three years between releases, Coldplay have returned with Viva la Vida or Death and All His Friends, in turn boosting EMI/Capitol Records' shares while reigniting debates worldwide over fruit-related baby names.
Tucson Weekly  |  James Hudson  |  07-10-2008  |  Reviews

Comeback Againnew

Almost two decades after their "comeback" with Cosmic Thing, The B-52s return with a worthy competitor.
Tucson Weekly  |  James Hudson  |  04-10-2008  |  Reviews

After the Hypenew

Now that its internet-release hype has subsided, we can finally take an honest look at Radiohead's newest album.
Tucson Weekly  |  James Hudson  |  01-23-2008  |  Reviews

Doing Dylannew

As you may expect, this album of Dylan music as performed by other artists is a decidedly mixed bag.
Tucson Weekly  |  James Hudson  |  01-10-2008  |  Reviews

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