AltWeeklies Wire
Zoe Kazan, an Indie Starlet on the Verge of Fame, Doesn't Need More 'Friends'new
Zoe Kazan is contemplating suicide. No, not in real life, where she’s doing just fine, thank you very much. But she’s had it with that dubious realm of interactivity known as Facebook. So it may be time for online suicide.
New York Press |
Eric Kohn |
03-11-2010 |
Profiles & Interviews
It's Been a Banner Year For Brooklyn-Based Movies. But Is There a 'Brooklyn Film'?new
The notably thriving social enclaves of Brooklyn—particularly the areas of Williamsburg and Greenpoint—have grown increasingly gentrified in direct proportion to the down-and-dirty mystique. In that conflict lies a distinct two-headed beast ever-present in the movies of the region.
New York Press |
Eric Kohn |
12-10-2009 |
Movies
Harmony Korine Talks About Creating a World of 'Killing, Fucking and Burning'new
When I sat down with Korine last week before the world premiere of Trash Humpers, he hadn't done any interviews about it yet, and admitted that he wasn't quite sure how to express his intentions. So we hammered it out together.
New York Press |
Eric Kohn |
10-01-2009 |
Profiles & Interviews
Tags: Trash Humpers, Harmony Korine
Some of Your Beeswax: Director Andrew Bujalski Chatsnew
If the word “mumblecore” ever meant anything in the first place, it definitely had something to do with Andrew Bujalski. The lo-fi indie director of Funny Ha Ha and Mutual Appreciation debuted his third feature, Beeswax, in March, and speaks about the film festival favorite.
New York Press |
Eric Kohn |
08-06-2009 |
Profiles & Interviews
The Directors of 'Tokyo!' Explain What They Were Thinkingnew
One of the strangest anthology films of recent memory, Tokyo! unites the distinctive visions of three individualistic filmmakers: Michel Gondry, Leos Carax and Bong Joon-Ho. Needless to say, it's not your average tourist video.
New York Press |
Eric Kohn |
03-05-2009 |
Profiles & Interviews
'Memorial Day': Boned and Readynew
Memorial Day displays major cojones with its graphic depiction of human brutality, but its in-your-face didacticism comes with loads of naivete.
New York Press |
Eric Kohn |
02-05-2009 |
Reviews
'Donkey Punch': Butt It Hurtsnew
Oliver Blackburn’s British thriller offers a unique thrill: It indulges in juvenile scares by placing them in a larger canvas of sophisticated moods, developing the scenario with remarkably shrewd structural finesse.
New York Press |
Eric Kohn |
01-22-2009 |
Reviews
'Special' is for Every Guy Who Still Dreams He May be Superhumannew
A chronicle of mental decline masquerading as science fiction, Special stars perennial character actor Michael Rapaport as Les, a likable dolt whose momentary respite from the monotony of his life as a lonely meter maid comes from reading comic books.
New York Press |
Eric Kohn |
11-20-2008 |
Reviews
Clark Gregg Chokes on 'Choke'new
Gregg embraces Chuck Palahniuk's faux nihilism at the expense of his characters.
New York Press |
Eric Kohn |
09-25-2008 |
Reviews
Tags: Choke, Clark Gregg
Chris Eska's 'August Evening' Ponders the Troubled Assimilation of Illegal Immigrantsnew
With a healthy dose of good intentions, the film has the fine-tuned backbone of an observant family drama.
New York Press |
Eric Kohn |
09-04-2008 |
Reviews
The Homeless World Cup Gets Mainstream Exposure in 'Kicking It'new
The popularization of sports documentaries in recent years has allowed for the rise of a new genre dealing exclusively with fringe athletic pursuits, and the appeal of Kicking It falls between the intensity of furious quadriplegics in Murderball to the full-grown geeks reigning over the arcade world in King of Kong.
New York Press |
Eric Kohn |
06-26-2008 |
Reviews
Intelligent Steroid Doc Sees Both Sides of the Issuenew
Without endorsing use of the drug, Chris Bell, who's a bodybuilder himself, dives into the heated debates surrounding the maligned practice and finds something pretty damn close to an even-handed portrait, if not a fair and balanced one.
New York Press |
Eric Kohn |
05-29-2008 |
Reviews
Uwe Boll's 'Postal' Fails to Comprehend Its Own Corrupt Naturenew
Based on the mindlessly violent series of first-person shooters, Postal contains the same intensely farcical bloodshed, but it's Boll's knuckleheaded misinterpretation of topical humor that really gets me.
New York Press |
Eric Kohn |
05-22-2008 |
Reviews
Trying Out Tribecanew
By blending obscure titles with the work of proven talent, Tribeca provides a resolutely solid collage of the film community's modern state.
New York Press |
Eric Kohn |
04-24-2008 |
Movies
Nobody Loves a Nobodynew
If David Lynch remade Taxi Driver with equal doses of Eraserhead and The Elephant Man, the result might look something like the drab existential loneliness of Ronald Bronstein's Frownland.
New York Press |
Eric Kohn |
03-06-2008 |
Reviews
Tags: Frownland, Ronald Bronstein
