AltWeeklies Wire

Axe to Grind: Heavy Metal in New Orleansnew

Internationally known New Orleans metal bands power what's still a locally underground scene.
Gambit  |  Alison Fensterstock  |  02-11-2009  |  Profiles & Interviews

The Pine Leaf Boys: Home Sweet 'Homage'new

In the past, the Pine Leaf Boys tempered Cajun tradition with touches of roots-rock, swamp pop and neo-Americana, but Homage au Passe is thoroughly and delightfully old-school, with smoking fiddle and reeling accordion sounding like a sweaty, stomping good time at a Eunice dance hall on a Saturday night.
Gambit  |  Alison Fensterstock  |  01-28-2009  |  Reviews

Glen David Andrews is Preaching to the Choirnew

The brass band stalwart's new Walking Through Heavern's Gate is gospel music infused with New Orleans street style.
Gambit  |  Alison Fensterstock  |  01-14-2009  |  Music

'American Routes' Celebrates 10th Anniversary in New Orleansnew

Since its inception in 1998, the weekly two-hour exploration of American roots music, anchored by Spitzer's relaxed interviews, has grown from a modest national presence on seven stations to its current reach -- broadcast by roughly 200 stations as well as XM satellite radio.
Gambit  |  Alison Fensterstock  |  01-14-2009  |  Media

Gone Daddy Gone: The End of Big Daddy'snew

An eccentric New Orleans Bourbon Street landmark shuts its doors after 40 years of the daily bump and grind.
Gambit  |  Alison Fensterstock  |  12-16-2008  |  Business & Labor

Jimmy Hughes Gets Another Chance at FAMEnew

A collection of 18 remastered tracks Hughes recorded at FAME studios in the 1960s will be released this week.
Gambit  |  Alison Fensterstock  |  10-29-2008  |  Profiles & Interviews

Gay Rappers Carry the Torch for Bounce, but Not Everyone's Comfortable with Thatnew

At the end of the day, the sissies enjoy an uneasy acceptance, both for carrying bounce's torch and, of course, for keeping the dance floor jumping with women. But in the working-class African-American South, male homosexuality can be a difficult identity to maintain.
Gambit  |  Alison Fensterstock  |  08-14-2008  |  Music

C-Murder Creates Gangsta Nostalgia on 'Screamin' 4 Vengeance'new

Corey Miller, aka C-Murder, releases a new project while awaiting a retrial on murder charges. The record is filled with stomping, lead-heavy beats and menacing gangsta growl and features a guest spot from No Limit star Mia X. It's not a thriller, but does strike chords of nostalgia.
Gambit  |  Alison Fensterstock  |  07-22-2008  |  Reviews

Ernie K-Doe Rocks From His Gravenew

Ernie K-Doe's eponymous album is being re-released posthumously as Here Come the Girls after the title song gained popularity because of an English cosmetics ad.
Gambit  |  Alison Fensterstock  |  07-09-2008  |  Music

Rebirth Brass Band's Drummer Hopes to Train Another Generation of Local Musiciansnew

Derrick Tabb's Roots of Music is an independent year-round music program for New Orleans children.
Gambit  |  Alison Fensterstock  |  06-25-2008  |  Music

With a Name Like the Gutter Twins, It's Got to be Goodnew

Longtime collaborators Greg Dulli and Mark Lanegan just released their first CD as the Gutter Twins.
Gambit  |  Alison Fensterstock  |  03-19-2008  |  Profiles & Interviews

Cashing in the Housenew

Cash Money Records tries to hold on to its power and money.
Gambit  |  Alison Fensterstock  |  02-28-2008  |  Music

Meaty Rock and Funk Coming Your Waynew

Is there such a thing as cerebral rock that doesn't suck? Johnny Sketch and Co. may be proving so with its immodestly titled fourth album The Big Awesome, which flexes the band's conservatory chops on meaty rock and funk in a way that's smart but not snobby.
Gambit  |  Alison Fensterstock  |  01-30-2008  |  Reviews

Asymmetrical Tapestry of Soundnew

As science-y sounding as the title, the album is sonically understated, yet complex. It plays like a collection of lost sounds naturally magnetizing to one another and then spinning off into the atmosphere.
Gambit  |  Alison Fensterstock  |  01-30-2008  |  Reviews

Hot Gypsy Jazznew

The sextet definitely rocks the tunes with aplomb, particularly Pierre Pichon's sizzling acoustic guitar, which isn't as front-and-center as one might assume from the material. The full band is constantly in play, getting the most out of the earthy sophistication of the familiar style and arranging the tunes in a perfect balance to assert its own stamp on the material while paying homage to the near perfection of the original compositions.
Gambit  |  Alison Fensterstock  |  01-30-2008  |  Reviews

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